Series 01 · Oakley Prizm
Oakley Prizm Road Lens Review
Muted rose brown through the lens. Best in bright, made for Road, gravel, running.
The verdict
Recommended
Probably one of my favourite lenses, and the one I get to use least. In bright and ultra bright light it is the best of the set: it lifts contrast on tarmac, in the woods, on almost every surface. Two honest caveats. The mirror looks good, but Ruby and Sapphire look cooler from the outside. And the moment the light drops below bright it is instantly too dark, which is true of the whole Road family. A bright light only lens, and inside that band it performs amazingly.
This tint is Oakley's. If you wear a prescription, our inserts clip in behind it. prescription inserts for your Oakleys
The specimen



Lens comparison
The same seven scenes, one locked exposure. This one is loaded against Prizm Road Jade.
How brightness is shown. Every lens was shot at one locked exposure set on the bare sensor, so True exposure is the real light transmission. Your eye adapts, so a dark lens never looks that dark in life: Eye adapted raises each image by its measured transmission (perceived = transmission^0.5). Colour only normalises every lens to the same brightness to isolate the tint.
Popular comparisons
The pairings people actually ask about. Tap one to load it in the comparison above.
The numbers
- Specimen
- S-03
- Category
- CAT 2
- VLT stated
- 20%
- Measured
- 20.5% of the clear control
- Look through
- Muted rose brown
- Mirror
- Violet
- Best light
- Bright
- Activity
- Road, gravel, running
- Rx insert
- Available
Measured figures are linear transmission against the clear control under one locked exposure, not a laboratory VLT. Oakley's stated figure is the number to quote.
What it is
The default road tint and the reference against which the other specimens in this series are normalised. A muted rose brown, noticeably less saturated than Road Jade at the same sample point.
Watch
From the Banana Optics channel.


